Austin Brown: Highway 85 mixtape review

From J Dilla to Sly Stone: Austin Brown's album Highway 85

Austin Brown has been making a name for himself over the last four years. Nephew to the legends Michael and Janet Jackson, and the son of Rebbie Jackson, he released a free mixtape "Highway 85", on his website www.austinbrown.com last week.

  

It is an especially good career move for Brown; releasing free mixtapes has worked wonders for Frank Ocean, The Weeknd and Azealia Banks.

 

Brown's influences include Miles Davis, Sly and the Family Stone and the Beatles; he has said in interviews he wants his listeners to dig deep and discover the artists he's referencing in his music.

 

The black and white video for the single "Ménage à Trois"  showcases he has a band behind him and demonstrates in true Jackson style, that his music is dance music.

 

The song’s intro is a reminder of the stomping feet at the beginning of "Where Did Our Love Go" by The Supremes; and sounds like classic Motown with a twist. Brown has described the process of creating “Ménage” with his producers as an attempt at marrying the hard drums of a Dilla beat with a James Jamerson vibe bass.

 

Brown has been mentored by Q-Tip, Rodney Jerkins and Jermaine Dupri and has been ghost-writing for a while. He and his group, The Backpackkids, recently produced JoJo's mixtape Agápē and wrote four records on it.

 

Austin Brown is a singer, writer, producer and dancer

 

So “Highway 85” - the title referring to his musical journey since birth - is a delicious collection of funk grooves and infectious hooks.

The opening track, "Highway to the Sky", is a stomper with a touch of Beatles influence. Brown instantly makes his mark with his mellifluous voice soaring over the marching beat.

 

"Where Were You" has 90s house influence stamped all over it; and then there are more sublime moments, like “What Did I Lose To Love You", which could give Bruno Mars some healthy competition.

 

Within the melting pot of influences that can be recognised; it is "City of Angels" that solidifies Brown to his musical family. This track is showered in a multilayer of Jacksonified falsetto notes and is a wonderful mid-tempo groove.

 

“F'd With My Mind” is when you know for sure, Brown is putting his heart into his music. He opens the song by telling the girl it's dedicated to: "I know you think that you're the shit," as he pleads "I still want you" over and over.

 

The record has blazing funk-groove moments, such as “Stargazer” which has elements reminiscent of Isaac Hayes’s Walk On By; to 90s hip hop. “Groove 92”; an easy going summery track to simmer down to after all the funk, is chock- full of early 90s references and winds-down to more slower tracks.

 

The standout track for me is "Volcano"; Brown’s voice catches onto a pulsating beat which builds up into a frenzy of chord changes which you can’t help but dance to.

The closing track, "All I Need" has a bubbling bass and crashing brass section which his voice effortlessly shines over –making it a good song to end on –because, you're tempted to press play again right away and put this record on a loop.

 

Twitter: @austinbrown

 

Listen/Download Highway 85 on Soundcloud: https://soundcloud.com/austinbrownhighway85/sets/austin-brown-highway-85

 

 

 

Watch the Music video here:

 

 

 

 

AmyAmyAmy & the world...

So it's 2amish...oh actually its 3.

And I can't sleep, feeling so sad about Amy Winehouse. I can't bear to watch the news. Everything going on in the world is depressing.

Amy Winehouse live

In the past I've complained about all the bandwagon jumpers jacking Amy's style [debatable, will go into that] while she's been out of the charts herself. I've been missing her herself, and rooting for her.

I just hate the music industry's 'onto the next' attitude - to me Amy Winehouse is a person before she is a product, and unlike what the media reports in response to her passing I believe her music outshone her troubles.

Her troubles were part of the package of being famous, and if you've read/followed Amy, you'll know it wasn't her intention to become famous.

Fame has always been destructive, because the people who are high profile are always struggling to be 'good enough' to whatever expectations are placed upon them. These days it's worse because of 24/7 news and gossip sites hounding people like Amy and mocking them instead of being positive.

I feel so sad that I have to grow old without so many of my favourite artists, Lynden David Hall, Aaliyah, Lefteye, Michael Jackson and now Amy Winehouse. Apart from Michael Jackson I felt like I loved these people before their 'stardomness' or high profileness went into overdrive. Each one of them gave interviews that I related in what they were saying, and I have memories to their individual songs, of buying their albums, or reading about them and getting excited over interviews.

When Aaliyah died I felt like I was experiencing what it felt like to lose Otis Redding - a fantastic young singer who was respected but still growing. I also felt like she was a sister, a really cool sister. I can't believe she died a week before 9.11 attacks, so long ago now, but I remember where I was, how I felt, that I believed it to be an internet hoax, that I used to watch Romeo Must Die bonus features nearly every day until the day she died.When Lefteye died it connected with a personal loss. When Lynden David Hall died on valentines day in 2004 it felt sickenly sad. He died of a rare case of lymphoma which not enough [black] donors give to. He was so talented and soulful but not many paid attention to his benefit concert, and for years not many people even knew he had died. It hurt me that he was not appreciated enough, but I felt priveleged to love him.

When Michael died, wow, I really have to keep that blog to one on its own because that will be long.

And now Amy... That voice. She embraced a sound and style but made it modern and she was a breath of fresh air in today's British music industry. Amy's pain and joy wasn't only in her heart when she sang, it was in mine. Her soulful voice really came from somewhere deep. I can't say the same for  the Amy Winehouse bandwagon jumpers. She has writing talent, she took time over creating her music, playing live instruments, sampling and referencing hip hop. This is why she is individual.

I love you Amy, thank you for the music and for giving all you had to give.