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Saturday, 27 April 2013

Soul of the UK: Jazzie B of Soul II Soul launches Classic Collection line for Harvey Nichols



The DJ, producer and face of the iconic Soul II Soul movement - Jazzie B - has launched his clothing line The Classics Collection at Harvey Nichols this month.
Jazzie B in Harvey Nichols launching The Classics Collection. Photo: Supersleen instagram
Jazzie B in Harvey Nichols launching The Classics Collection. Photo: Supersleen instagram
The Leeds store's first floor became a reinvention of Soul II Soul's Camden clothes store (in the 80s and 90s) on Thursday evening, with retro posters and vinyl trinkets from the group's archive. The loveable funk-master's infamous voice richly filled the room as he cracked jokes and he was very approachable in-between his DJ set, laughing with fans and taking photos.
Lloyd Bradley, author of Bass Culture was on hand to host a Q & A session. He began by noting the super-producer's backwards route of beginning his career with a fashion-line and then moving in to music.
Jazzie B is proud to fly the flag for Britain: The Soul ll Soul T-shirts were handmade with British materials. Photo: Harvey Nichols
Jazzie B is proud to fly the flag for Britain: The Soul II Soul clothes were handmade in Britain. Photo: Harvey Nichols
The Funki Dred logo which dons the clothes is drawn by illustrator Derek Yates - and the original T-shirts were sold as the group began gaining momentum. Jazzie B explained that the idea behind Funki Dred (and Soul II Soul) was the community idea being inclusive and affirming a British identity.
In connection with that - comics - which were always a part of the Soul II Soul brand were also given out during the evening. Jazzie said: "The idea was we came from a planet called Ard, and we were sent to the earth as pleasure-givers, to put on parties and get into the funk."
He continued about the group's mission: "We wanted to have the biggest sound-system in the world with our own followers that were inclusive, not exclusive - because growing up at that time (60s and 70s), we didn't have a group to connect with. The mods didn't want to know us, nor did the teddy boys. We were only accepted by the skinheads and punks."
He set-up the story about the humble beginnings of the Soul II Soul style of life which begun around 25 years ago - how his technicality as a sound-man mixed with his street-wise ways landed him a record contract.
And Jazzie B was sincere in his affirmation of Britain being a land of opportunity and  his appreciation of Harvey Nichols - who being a window of that mentality- would celebrate Soul II Soul's  history and impact.
To see more of The Classics Collection available to buy from Harvey Nichols which begin at £45, click here and follow Jazzie B on Twitter here.
Soul II Soul Club Classics Vol.1: The multi-platinum debut in 1989 includes Keep on Movin and Back to Life (However Do You Want Me). It introduced people to bass heavy dance music in an irresistable way and carved a British movement identity. Photo: Discogs
Soul II Soul Club Classics Vol.1: The multi-platinum debut in 1989 includes Keep on Movin and Back to Life (However Do You Want Me). It introduced people to bass heavy dance music in an irresistable way and created a British movement. Photo: Discogs

Sunday, 21 April 2013

Black or White: Opinion piece


The "blackface" issue has cropped up again. Within days of each other I saw Iman Bowie and Ebony Magazine post examples on Instagram:


The photos are from May's Dutch Vogue; In a tribute spread to Marc Jacobs called "Heritage Heroes”,  models are dressed up in the style of Grace Jones and Josephine Baker.
The fashion industry should be trying to improve its standards, not go backwards - in any aspect.
In some spreads, girls are made up in all sorts of colours, and that can be beautiful, creative art but in instances as the Dutch Vogue, a black model could simply have been hired and it would have been a beautiful tribute without controversy.
Maybe it was done just for publicity, but it's an unnecessary debate, when "blackface" is a reference to times when white people performed minstrel shows.

Saturday, 20 April 2013

East is East: An opinion


The children have a right to know - Ella
What do you mean, "right"? - George
Somehow, when I originally watched East is East years ago, I didn't take into account that the film focuses on men being forced into unhappy marriages.
I'm so used to thinking of arranged and forced marriages from a woman's perspective that I forgot about the hard situation men are put in.
East is East

There are a couple of real life scenarios I know of which should have opened my eyes:
Scenario 1
A Pakistani family (including the extended family) all live under one roof. They own businesses which must remain in the family. So the eldest boy and eldest girl from the relevant families must marry:-
  • Boy - has a girlfriend, the family know but don't speak about it.
  • Both are told it is time for you two to marry.
  • Both speak with each other and don't want to.
  • Girl receives the most pressure because, boy says publically - " I will marry her, she doesn't want to".
  • They get married, he still cheats on her with the longtime girlfriend.
Scenario 2
  • Boy is dating/in love, but gets told to get married in an arranged marriage. In this case, the boy just agrees despite heart not being in it.
  • (In East is East, Tariq puts up a fight but cannot reason with his father who gives his son no say in the matter - this will be a true to life scenario).
  • The boy ends up married, unhappy, and cheats  on his wife.
While watching East is East this week, it did make me think, "why can't all (Pakistani) men fight for their freedom like Tariq's character does?" Instead, they cowardly choose to live an unhappy life and ultimately make their wives unhappy.
The boy in scenario one, told me when he was venting, that he wasn't bothered whether he married his cousin or not. When I told him he should tell the elders  he wanted to marry his girlfriend, he said it was in his best interest not to. He would rather live an easy life, where the pressure is put on the girl, and he can do no wrong, because after all, he is a man.
I wonder, do boys like the ones in East is East exist anymore? 
I think a lot of Asian families that live in the UK have progressed, especially if our parents grew up here, but there are sections of the community which still use marriage as a tool of control, not of happiness.
Whether it's  to control women, or to control businesses, the mentality needs to be abolished. The men need to respect themselves by treating their wives respectfully if they choose to marry them.

I know I'm generalising - I know of marriages which were arranged in a mutual way between all parties and handled in a caring way. How some parents can pressure their children to marry without a care for their happiness is what baffles me.
The Forced Marriage Unit
If you or someone you know is being forced into marriage either  in the UK or abroad, you can contact the Forced Marriage Unit (FMU).
The FMU helps and advises men and women who are being forced into marriage.
The FMU’s caseworkers also understand the issues that
people from the LGBT community can face, including the family  pressures and how difficult it is to talk about these situations.
They do not judge.
The FMU offers confidential support and information and can also put you in touch with organisations that can support you.
You have a right to choose, and the FMU is there to help you.
You can:
Call (+44) (0)20 7008 0151 between 9am and 5pm, Monday to Friday
Emergency Duty Officer 
(outside office hours) 
(+44) (0)20 7008 1500
OR e-mail: fmu@fco.gov.uk
Find out more about the work of the FMU at 
www.fco.gov.uk/forcedmarriage

Friday, 4 January 2013

Maxwell: Summers'


Partial track list to Summers' Photo: Maxwell's Instagram
US singer Maxwell released a teaser at midnight, New York time for his upcoming record Summers’.

It is the second part of his trilogy BlackSUMMERS’night, and Maxwell’s cryptic clues to the record online has kept his fans gripped in the anticipation of an artist who has consistently released great music.

On his Facebook biography; Summers’ is said to lean more towards a gospel sound, and in more recent interviews Maxwell has described the album as a hybrid of music. He cited some artists he enjoys such as the xx and Fleet Foxes, and suggested a subtle influence of indie rock and alt-rhythm and blues sound might creep onto the record.

Maxwell always surprises; n 2008, he came on stage for his first televised performance in seven years at the BET Awards – to pay tribute to Al Green – and to prepare audiences for a new album.

Black was released in 2009. He recorded the album with a live band and archaic microphones to give the record more character, and hearing his magnificent falsetto and tenor voice on tracks such as “Bad Habits” and “Love You” made some of my favourite music moments.

In the wait for Summers’, fans were elated with Maxwell’s surprise appearance on the smoky ballad “Fire We Make”, a duet with Alicia Keys on her current Girl On Fire album .  Their voices, together, accompanied by synth bass and quiet horns is the kind of material that soul fans dream of.

It makes the prospect of a collaboration with Marsha Ambrosius on Summers’ even more exciting, which came about from a hint Maxwell tweeted.

What’s interesting about Maxwell’s Twitter, is that he has assured his artistic integrity. He doesn’t pander to his listeners or give in to them, instead he challenges them. 

The music industry is ever changing and while some artists have to release albums to support their tours, Maxwell, thankfully, is in a position where he can create the timeless album that he wants to.

It’s a work ethic which reminds me of Michael Jackson’s; he cared about every chord change, every sound and always wanted to do something different and recorded hundreds of songs for each album. Not to say you can’t be prolific - Prince is evidence of that, but that’s two ends of the spectrum of genius.

With the release of Maxwell’s Urban Hang Suite in 1996, wheels were set in motion for him. He was claimed as a “saviour of soul”, “the new Marvin Gaye” and “the king of neo-soul”, as the critics tried to put Maxwell – the commodity in his box.

Maxwell told Vibe Magazine’s Selwyn Seyfu Hinds around the release of “Now” in 2001 about the pressures of competing against his highly acclaimed debut record:

"You know sometimes when you want to do your own thing and people just kind of want you to fit within their world...it's a revelation. So I learned a lot about just perseverance and pure faith. And about humility”.

Embrya, released in 1998, with its enigmatic sound and interesting lyrics actually makes it a fan favourite.

Plus his audience had already come to realise that Maxwell had more depth to him. The year following Maxwell’s Urban Hang Suite release, he would perform on MTV Unplugged and cover “This Woman’s Work” by Kate Bush and “Closer” by the Nine Inch Nails. People realised he wasn’t only a single-minded Curtis Mayfield and Marvin Gaye fan.

Like Erykah Badu surprised critics on her second album for sampling Dr. Dre when her first album had her acclaimed as the neo-soul Billie Holiday; Maxwell was making the music he needed to.  It’s not a new thing or just confined to the soul genre. Janet Jackson went against advice from her record company to release Control – part II.

I like those kinds of artists, they don’t’ compromise their art or just fall into line. Maxwell, Badu and Jackson have all spoken about growth – personal, spiritual and artistic when asked on their follow up albums.

Which is why I enjoy listening to Maxwell, I know he’ll always surprise and challenge me as a listener and I too can grow.

Follow Maxwell on Twitter: @_maxwell_

 

Thursday, 3 January 2013

Austin Brown: Highway 85 mixtape review

From J Dilla to Sly Stone: Austin Brown's album Highway 85
Austin Brown has been making a name for himself over the last four years. Nephew to the legends Michael and Janet Jackson, and the son of Rebbie Jackson, he released a free mixtape "Highway 85", on his website www.austinbrown.com last week.
  
It is an especially good career move for Brown; releasing free mixtapes has worked wonders for Frank Ocean, The Weeknd and Azealia Banks.
 
Brown's influences include Miles Davis, Sly and the Family Stone and the Beatles; he has said in interviews he wants his listeners to dig deep and discover the artists he's referencing in his music.
 
The black and white video for the single "Ménage à Trois"  showcases he has a band behind him and demonstrates in true Jackson style, that his music is dance music.
 
The song’s intro is a reminder of the stomping feet at the beginning of "Where Did Our Love Go" by The Supremes; and sounds like classic Motown with a twist. Brown has described the process of creating “Ménage” with his producers as an attempt at marrying the hard drums of a Dilla beat with a James Jamerson vibe bass.
 
Brown has been mentored by Q-Tip, Rodney Jerkins and Jermaine Dupri and has been ghost-writing for a while. He and his group, The Backpackkids, recently produced JoJo's mixtape AgápÄ“ and wrote four records on it.
 
Austin Brown is a singer, writer, producer and dancer
 
So “Highway 85” - the title referring to his musical journey since birth - is a delicious collection of funk grooves and infectious hooks.
The opening track, "Highway to the Sky", is a stomper with a touch of Beatles influence. Brown instantly makes his mark with his mellifluous voice soaring over the marching beat.
 
"Where Were You" has 90s house influence stamped all over it; and then there are more sublime moments, like “What Did I Lose To Love You", which could give Bruno Mars some healthy competition.
 
Within the melting pot of influences that can be recognised; it is "City of Angels" that solidifies Brown to his musical family. This track is showered in a multilayer of Jacksonified falsetto notes and is a wonderful mid-tempo groove.
 
“F'd With My Mind” is when you know for sure, Brown is putting his heart into his music. He opens the song by telling the girl it's dedicated to: "I know you think that you're the shit," as he pleads "I still want you" over and over.
 
The record has blazing funk-groove moments, such as “Stargazer” which has elements reminiscent of Isaac Hayes’s Walk On By; to 90s hip hop. “Groove 92”; an easy going summery track to simmer down to after all the funk, is chock- full of early 90s references and winds-down to more slower tracks.
 
The standout track for me is "Volcano"; Brown’s voice catches onto a pulsating beat which builds up into a frenzy of chord changes which you can’t help but dance to.
The closing track, "All I Need" has a bubbling bass and crashing brass section which his voice effortlessly shines over –making it a good song to end on –because, you're tempted to press play again right away and put this record on a loop.
 
Twitter: @austinbrown
 
 
 
 
Watch the Music video here:
 
 
 
 

Saturday, 22 December 2012

Janet Jackson is the global face of Blackglama: Becoming a legend

My article below, about the impact of Janet Jackson being the global face of Blackglama, was printed in the inaugural issue of Ombré Magazine.

Ombré Magazine

View the entire magazine here: http://issuu.com/ireneojo/docs

Becoming A Legend

Janet Jackson Blackglama
Janet Jackson is the biggest selling brand face for global company Blackglama

Ombré takes a look at a superstar’s rise to global spokeswoman.
Words Selina Ditta

“What becomes a legend most?” is the question that has been adorning ad campaigns for luxury mink house Blackglama since its inception in 1968.

For the last three years, African American triple-threat beauty, Janet Jackson has been one of Blackglama’s “legendary” faces, joining a roster of icons including Judy Garland and Barbara Streisand. She is by no means the first person of color to represent Blackglama, which has had representation from Lena Horne, Diana Ross, Naomi Campbell and Ray Charles, but has led the most successful ad-campaign for the brand since its start.

Blackglama is world-renowned for providing exclusive ranch-raised natural black mink and has always featured a celebrity in its black-and-white print ads posing behind its famous slogan. Given that Jackson is one of the best-selling female artists of all time, selling over 100 million albums worldwide and being the only recording artist whose Grammy nominations span the categories of Dance, Pop, Rap, Rock and R&B, her universal and multi-dimensional appeal was a no-brainer to the Blackglama company.

Joe Morelli, CEO of Blackglama said: “Janet is an icon in the world of music and entertainment, a true legend. She embodies glamour, luxury and sophistication, everything that Blackglama stands for.” Jackson’s ad campaign for the brand was unveiled with a billboard in Manhattan’s Times Square, seen by hundreds of thousands of people. Charles DeCaro, co-creative director of Laspata DeCaro, who shoots Blackglama’s “WBALM”campaigns, said of the ad:  “It visually communicates Janet’s legend – her approachability, her sparkle, her smile, her magic.”

After her start with the brand in September 2010, not only was she was the first announced Blackglama “legend” to be featured for a consecutive year running, her own line for Blackglama debuted in Fur Salons at select Bloomingdales and Saks Fifth Avenue. Jackson, who is often seen at the front rows during Fashion Week has said: “The art of fashion is one of my great passions. “I’ve worked for years to bring a collection into the world.” The Janet Jackson Blackglama collection was released in 2011 and consists of 15 pieces ranging from contemporary coats, vests, scarves, gloves and other accessories.

Jackson once sang, “Because of my gender, I’ve heard no too many times. Because of my race I’ve heard no too many times”, on a track demanding respect, with Chuck D called “A New Agenda” from her 1993 multi-platinum album “Janet”. When Jackson was born in 1966, other African American women were fighting to be seen as more than just their color or gender. She grew up idolizing Dorothy Dandridge, also a triple threat talent, who fought to not play roles of slaves in film. Dandridge represented black glamour in the days of Marilyn Monroe and Grace Kelly.  During Jackson’s childhood, the most glamorous, black leading ladies were Diahann Carroll and Nichellee Nichols. Dorothea Church Towels who was the first successful black fashion model in Paris at the time, similarly struggled with racism at home. Towels used her model discount to buy material from top designers like Dior, who she modeled for and created her own couture line to raise funds for Alpha Kappa Alpha Sorority Inc.

Finding black spokespeople for luxury products back then were few and far between and some may argue that it still is like that today. However, the  evidence of African-American women’s beauty strengthening couture brand recognition worldwide has been historically recognized.

Kimberly D. Brown, Association of Black Women Historians Website member and Ph.D. Candidate in the Department of History at Howard University said: “During the first half of the 20th century, most African-Americans suffered racist and socioeconomic ills that harmed with even greater devastation during the Great Depression, World War II, and the Post War eras. Even then, several brands knew the mass appeal and selling potential of darker beauty and sought out Black models to bring lustre to their products.”

During the 1930s and 40s, Josephine Baker captivated audiences in Europe with her comedic theatrics and show stopping dance routines. She was the highest paid entertainer in Europe as well as one of the most photographed women in the world of her time. Baker’s infamous banana dress is an iconic fashion statement that has been imitated throughout the decades and worn by entertainers and models alike including most recently Beyoncé.

Her beauty and star appeal, much like Jackson’s meant designers flocked to dress her. Baker was a friend and muse to French couture designers Balmain and Dior themselves. She has even been credited with saving the French fashion industry post-war. Jackson, who Mattel immortalized  into a Barbie doll two years ago, has likewise created statement outfits. The Rhythm Nation attire has dressed Mickey Mouse and Keri Hilson among others and her Rolling Stone cover in 1993 has been replicated countless times.

Today, Janet Jackson’s affiliation with Blackglama echoes Josephine Baker’s attachment to Dior. Both international multi-talented women, were sought to revitalize classic brands using celebrity to sell their desirability.

Jackson’s Blackglama ads run in international issues of magazines such as Vogue, Tatler and Marie Claireand her inclusion in the long-running campaign, which has also featured Elizabeth Taylor, Liza Minnelli, Liz Hurley and Cindy Crawford, implies the line’s acknowledgement of a black woman as a timeless attraction and also suggests the same to its consumers, according to Kimberly D. Brown.Brown said: “Much like Dorothea Towel’s employment with Dior and Balmain proved that a Negro model can sell a $1,500 gown in Europe, Jackson’s endorsement deal with Blackglama says a Black girl from Gary, Indiana can sell a $10,000 mink anywhere. In a universe where beauty culture and race ideology in general is still informed by European inclinations, that’s a big deal.”

Being one of very few persons of color representing a luxury brand in 2012, Jackson is seen as an iconic woman worldwide.

Thursday, 31 May 2012

Countdown to the biggest transport snafu London has ever seen?

London, host city to the 2012 Olympic Games, will be shouldering the burden of up to three million extra journeys each day during the global sporting event, putting its transport system to the test.

Across both games there will be 14,000 athletes, 7,000 technical officials, more than 20,000 media and 11million spectators.


How our transport infrastructure deals with the surge in numbers during the summer months - when it will be used more than ever before - will largely determine the success of the games as a whole.


Transport disruptions have the ability to affect us in more ways than simply delaying the time we arrive at our intended destination. A disruption to the individual often has a knock-on affect that snowballs, even affecting society itself.


So far, the outlook has been dismal. Potential staff cuts on the railway as well as flexible hours for staff on the underground will only serve to further strain the transport network. 
We took a quick look at the issues that will be affecting the nine million plus ticket holders, commuters, residents and tourists alike as they struggle to traverse the nation's capital from July 25 to September 11.


Games Lanes 
Dedicated lanes to ensure the uninterrupted passage of athletes, VIPs, officials and media - will impose restrictions on the flow of traffic to and from, in and around, Olympic venues. Pall Mall will be closed to motorists over the Olympic Period while it is used for events such as the marathon and the nearby Equestrian centre is built.




Taxis
The result of all that traffic congestion and prolonged queuing time? A taxi-fare that gets bigger and bigger while you go nowhere. Many of London's black-cab drivers are threatening to quit the streets in protest against travel restrictions.


Steve the black cab driver: "They've got us handcuffed during the olympics, I'm going to have to use a helicopter to get around."


Tubes and Trains
Over 20,000 railway network job cuts will leave London with a 'third-class service' with 'eye-watering' fare rises. Not to mention the serous risk of over-crowding as commuters clash with ticket-holders on their way to an early-morning event showing.


Cyclists
Don't rely on the the indestructible Boris Bike to get you around the city during the games. There's a real risk of strike action by members of the RMT Union that could lead to severe disruption in services including Barclay's Cycle Hire, whose workers are affiliated to the union.
Andreas @ London Cyclist: "Many of the bus lanes will be closed to cyclists to allow for officials, sponsors and athletes to move through the city. I fear that safer routes through the capital will be restricted for cyclists and we'll have to merge with the rest of the traffic."


Hospitals and donors
Road closures risk preventing medical supplies and even donor blood and organs from reaching hospitals in good time. Hospitals in London are considering reorganising surgery timetables, changing shift patterns and moving delivery ties all to accommodate the olympics. 


Businesses
Although TFL has been engaging with businesses, there are many who have been left feeling disillusioned by false assurances as to the extent of travel disruptions. 45 companies in Hackney Wick have expressed their discontent for the disruption to their businesses by sending a petition to their local council.
Graham Phelps of Phelps Transport: "All we have been told is that we will be able to trade and we will be fine. If something goes wrong we've had it."


Commuters
Companies have encouraged their workers to stay at home or work alternative hours during the games. Economists have forecast that the overall affect on the economy will be negative, despite the retail boost from visiting olympic-goers.
Are you affected by any of the issues above? If so leave a comment letting us know how you plan to get around on @FJMayhew or @ryrealtalk